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Thursday, October 22, 2009

Asia Music

Asian musics are quite recently
ranked among the world'scene.
Supported by striking economic development,
Asian musics have accomplished it rapid growth in the way of market and recoginition.
But through the process,
there are problems of decline of traditional musics and the industrialiazation of music itself,
and the criticism of European and American values,
so except at least "the music growth in quantity",
Asian musics are considered to face a lot of problems taking the lead in the world.
Here we want to consedr about
today's Asian musics and their future
focusingon various musics from familiar artists to the sounds which become history.
Came here,at the end.


Contemporary Asian musics in the limelight. However, they have various troubles within them. The permeation of Western musics brings the borderlessness of cultures, at the same time, calls danger of identity loss. Artists who lost individuality, often pursuing it, come back to traditional musics, touch up, and popularize them using electric instruments and amplifiers, but it is certain that electronized existing music style developed like this is made at the sacrifice of traditional one. Some musicians aim at a success being not able to have their identity but the numbers. Can they produce the works which are fit for world attention? Can they get out of imitative music growth? It is not too much to say that contemporary Asian musics are now made a trial.

In Munich disco musics rise,
then the new stars named producers are born.
In the future the supoeriority of producers
and the definitive role of "sound" would be remained.
The recorded musics would circulate more internationally,
and their birthplaces would become more vague.

Visit this site : - Asia Music

亚洲的音乐受到世界瞩目的是,近几年的事.
音乐也同时和经济一起高速成长.但在这一
过程中,同时无法避免的是传统音乐的退化,
以及音乐自身的问题.也有人批评说,光追在
欧美之后,是无法前进的.至少也要增加音乐
的量.除此之外我们将共同考虑亚洲音乐的
各种问题.从我们身边的艺术家到音乐的历
史,将焦点放在各个面上,探讨亚洲音乐的现
在及未来.


虽然现在的亚洲音乐受到世界的注目.但其中也存在不少的问题欧美音乐的渗透,逐渐跳出国界,同时也失去个性.艺术家们为了追求独自性,有的返回到传统音乐的原点,有的使用电子乐器和扩音器,以求大众化.但朝着这样的方向发展下去,仅仅将现有的东西电子化,只会失去传统的东西. 也有一部分的音乐家不求个性,只注重作品的畅销.究竟能否诞生经得起时间考验的作品呢?亚洲音乐能否脱离模仿阶段? 可以说现在的亚洲音乐还处于尝试层次.

在慕尼黑正流行着迪斯可音乐
制作人将越来越受到注目
在不久的将来制作人的地位
会影响"声音"
录下来的音乐在国际间流行
但它的诞生地却更暧昧

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